Research on the transmutation of Ancient AnHui Opera Costumes in China under the Perspective of Social Memory
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Abstract
In China, AnHui Opera, as an integral part of the nation's rich cultural heritage, has maintained a visual narrative of social structures, moral values, and historical continuity through its distinct costumes. The transmutation of these costumes over centuries provides a window into the dynamics of social memory and identity. This paper critically explores the metamorphosis of Ancient AnHui Opera costumes, considering their symbolic significance and how this has evolved in response to socio-political changes. Drawing on a diverse range of historical records, regulations from various dynasties, and the concept of object biography, the research elucidates how social memory, encoded in the fabrics and designs of these costumes, has preserved and reshaped cultural identity.
We dissect the implications of color prohibitions, with particular attention to hierarchy and honor, and scrutinize the permitted alterations through time. Moreover, this study investigates the nuanced interaction between society's collective memory and individual agency within the context of opera costume transmutations. Findings from this research not only illuminate the intricate relationship between societal norms and cultural expressions but also contribute to the broader discourse on intangible cultural heritage preservation amidst modern transformations. The paper advocates for the consideration of social memory as a pivotal framework in the analysis and conservation of cultural artifacts and practices, such as the treasured costumes of Ancient AnHui Opera.