The Absurdity of Existence and the Critique of Socio-Political Realities in Thangjam Ibopishak’s Work

Abstract

This article explores the revolutionary poetry of Thangjam Ibopishak, a seminal figure in Manipuri literature, known for his masterful use of absurd imagery, satire, and irony to critique the socio-political realities and the human condition in Manipur. Through an in-depth analysis of selected poems, including Mee Tangkhaigi Leibak (The Land of Half Humans), Bhagavad Paba (Reading the Bhagavad ), Thong Thinba (Knocking the Door), and Kugi Keithel (Coffin’s Market), this study examines how Ibopishak portrays the dehumanization, moral decay, and existential dilemmas prevalent in contemporary Manipuri society. The article also delves into his critique of religious orthodoxy and traditional beliefs, highlighting his disillusionment with the role of religion in perpetuating social inequalities. By challenging existing literary traditions and offering a profound commentary on the absurdities of existence and the socio-political climate, Ibopishak emerges as a revolutionary voice who has redefined the scope of Manipuri poetry. This article aims to contribute to the existing scholarship on Manipuri literature by situating Ibopishak’s work within the broader context of literature as a tool for social and political critique.