The Narrative Techniques in Meena Kandasamy's The Gypsy Goddess

Abstract

The present article highlights how Meena Kandasamy's novel The Gypsy Goddess delves into different kinds of narratology, and it serves as a powerful fictional retelling of the Kilvenmani massacre in 1968. The narrative intricately weaves together multiple perspectives, such as the interplay of language, memory, and identity within the narrative; the study aims to reveal how Kandasamy's innovative storytelling not only documents a tragic event but also critiques the casteist and patriarchal structures that persist in contemporary society. These employ a unique blend of storytelling techniques that reflect the complexities of caste-based violence and the resilience of marginalized communities. The novelist utilizes a non-linear narrative structure, interspersing historical accounts with fictional elements, thereby challenging the reader's perception of truth and memory. Kandasamy’s use of vivid imagery and rustic language evokes a visceral response, compelling readers to confront the uncomfortable realities of systemic oppression. The research analyses Kandasamy's use of different kinds of narrative structures and how metafiction challenges dominant historical narratives. It also traces the experiences of marginalized communities, mainly the working class. Her narration explores themes of anger and resistance, positioning these emotions as essential for survival and empowerment. A fierce commitment to authenticity marks Kandasamy's writing; It draws from her own experiences and the realities of her community. This novel not only serves as a poignant reminder of historical injustice, urging readers to recognize and challenge the ongoing violence faced by marginalized groups in contemporary society. Through the novel The Gypsy Goddess, Kandasamy reclaims the narrative of her people, transforming trauma into a powerful testament of resilience and hope.